The intention or strategy is obvious. Piracy remains a significant challenge, and producers seek to protect their intellectual property. But in reality, this approach takes a lot away from the viewer’s experience. With a giant watermark and heavy subtitles layered together, staying engaged with the story becomes harder than it should be.
What’s becoming increasingly clear is that this is less about artistic presentation and more about revenue protection. For many creators, especially those who act, produce, and upload their own, monetisation has become the driving force behind these strategies, even if it comes at the expense of quality.
And that’s where a bigger conversation needs to happen.
If YouTube is now one of the major platforms shaping how global audiences engage with Nollywood, then there’s a real need for stronger regulation and guidance from home institutions, including Nigeria’s Censors Board and related bodies. Clearer standards around watermark size, placement, and viewer-friendly practices could protect both creators’ rights and the audience’s experience.
Because at the end of the day, Nollywood deserves to be protected—but not at the cost of making its films difficult to watch
Because at the end of the day, Nollywood deserves to be protected—but not at the cost of making its films difficult to watch
See related articles
- POSTER MASKING ON YOUTUBE - A New Threat to Nollywood’s Integrity
- NOLLYWOOD ON YOUTUBE - A Creative Hustle Over Artistic Depth
- UNTITLED OLD NOLLYWOOD MOVIES ON YOUTUBE - The Good, The Bad and The Ugly side of it
- NOLLYWOOD FACES NEW CHALLENGE As Actors, Producers launch own channels on Youtube to showcase Movies


